When her best friend and roommate abruptly moves out to get married, Susan (Melanie Mayron), trying to become a gallery artist while making ends meet as a bar mitzvah photographer on Manhattan’s Upper West Side, finds herself adrift in both life and love. For more discs to spend your duckets on, here's what's coming to Criterion October 2020, including Bong Joon ho's Parasite.
And for real cinephiles, there's a box-set of Federico Fellini joints that will be a must-buy.Ĭheck out all the delicious cover arts (except for Moonstruck, which is still forthcoming!) and bonus feature details below. Claudia Weill's Girlfriendswill show you what every prestige dramedy has been cribbing from. Norman Jewison's Moonstruck will serve you sparkly rom-com realness with Nicolas Cage and friggin' Cher. Jim Jarmusch's eclectic samurai-gangster-head-trip Ghost Dog: Way of the Samurai will become your new favorite cult favorite. Martin Scorsese's The Irishman, like Roma and Marriage Story before, will be making the shift from Netflix streaming to beautiful physical media, with tons of features to boot. Sewing my wallet shut until these hit the streets, starting now! The Criterion Collection, that wonderful outfit that crafts impeccable special edition packages of the best in cinema, just announced their November 2020 slate, and wowie zowie is this one a humdinger.
#Federico fellini criterion series
But this lifestyle ends abruptly when one is forc…Īfter a young girl is sold to a traveling performer, she endures many hardships but finds her heart divided when she falls for another performer….įellini’s vision of infamous 18th-century womanizer and adventurer Giacomo Casanova….Ī prostitute living in Rome’s slums dreams of finding true love and a better life….Ī portrait of the city of Rome constructed through a series of impressionistic and loosely related scenes….Fans of Blu-rays: Start screaming.
#Federico fellini criterion full
In Fellini’s first full-length color feature, Juliet is both fascinated and intimidated by the sexual freedoms enjoyed by her neighbor….Ī portrait of life in an Italian town during the 1930s, Fellini’s vision of his own childhood is dreamlike and comedic, yet poignant and full of life….įive young men spend their days in a small town drinking, carousing, and attempting to seduce women. Struggling with his latest project, famous film director Guido Anselmi takes time to reflect on his life and loves, past and present. I vitelloni, 8 ½, La strada, Nights of Cabiria, Amarcord, and Juliet of the Spirits are new 35 mm prints. With 8 ½, Fellini abandons any interest in reality, creating his own personal fantasy world. The series includes I vitelloni, La strada, and Nights of Cabiria, three of Fellini’s earlier efforts, which demonstrate his interest in a character’s emotions. In attempt to make a stylistic departure, Fellini communicates his characters’ hopes, dreams, fears, passions, and inspirations. Will you be attending the Fellini screenings at the MFA Boston? Are your local theaters holding their own mini-festivals surrounding directors in the Criterion Collection? Let us know in the comments below.įederico Fellini (1920’“1993) began working as a screenwriter on such Italian neorealist landmark films as Rome, Open City and Paisà , but by the time he took the director’s chair in 1950, he was starting to question the genre’s principles and its focus on socioeconomics. And maybe there will be one or two converts into the world of Fellini. Any excuse to sit down and watch these films with an audience should be embrace fully and wholeheartedly. We here at the Criterion cast will hope to be able to cover this fantastic film series of one of the grand masters in film making.
The films being shown are I vitelloni, 8 ½, La strada, Nights of Cabiria, Amarcord, and Juliet of the Spirits in all new 35mm prints. Which is why it’s wonderful to see that some of his greatest works are going to be shown on the big screen once again at the Museum of Fine Arts in Boston on June 16th to the 27th. Just recently covering his wonderful film Amarcord and in the past few weeks with news of La Dolce Vita maybe not having actual owners and a new print on the way for it’s 50th anniversary, it was only a matter of time before something else came along. One of these filmmakers, without question, is Federico Fellini. Working on a podcast called the Criterion Cast, several directors will be consistently reference because of their multiple entries within the Criterion Collection, and deserve every ounce of recognition.
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